Blake Lively wore nude and rose shades to complement her vibrant Monique Lhullier gown at the New York City premiere of "The Age of Adaline." Given that Lively plays a woman who doesn't age past 29, this timeless yet youthful beauty look seemed perfectly appropriate.

L'Oréal makeup artist Elaine Offers began by prepping the star's skin with L'Oréal Paris RevitaLift Miracle Blur, following up with L'Oréal Paris Infallible Pro-Matte Foundation in Sun Beige for a flawless finish.

Next, Offers used mid-tone browns from the L'Oréal Paris Colour Riche La Palette Nude. She lined Lively's eyes with L'Oréal Paris Smokissime Eyeliner in Black and added a few coats of L'Oréal Paris Voluminous Mascara.

This look, however, was all about the lip color, which Offers created by combining L'Oréal Paris Infallible Lipliner in Coral and L'Oréal Paris Colour Riche Balm Pop in Bold Blush.

Elizabeth Olsen looked radiant with a tousled bob and dewy skin at a Kiehl's event in Santa Monica, California last night. The party celebrated the unveiling of the limited edition Kiehl's Creamy Eye Treatment with Avocado -- Olsen designed a special jar, and proceeds benefit Recycle Across America.

Hairstylist Mark Townsend used Oribe Dry Texturizing Spray and Dove Flexible Hold Hairspray for hold to get the look. Not born with waves? We recommend curling your hair with a 1-inch curling wand, twisting it away from your face to create beachy texture.

Next, makeup artist Rachel Goodwin focused on a glowing complexion and a flick of eyeliner. Also, how major are Olsen's brushed-up brows?

Anna Chulmsky wore a beautiful crown braid to the "Veep" premiere, proving that even Coachella style can have a grown up side.

Hairstylist Sarah Potempa began by brushing the star's hair out with the Sarahpotempa On Set Styling Brush to detangle.

Next, Potempa clipped up a semi-circle section of hair with Sarahpotempa Darby Clips. She then French braided the bottom section along Chulmsky's hairline. Potempa released the top section and continued the braid back across the crown.

Once all the hair was incorporated into the French braid, Potempa used Aussie Miraculously Smooth Tizz No Frizz Gel to hold in any loose ends. Finally, she wrapped the tail around and tucked it under the braid, securing with bobby pins.

Sarah Hyland wore side-parted waves and a bright pink lip to the 2015 Kids' Choice Awards.

Makeup artist Mai Quynh applied a Biore Deep Cleansing Charcoal Pore Strip to Hyland's nose before starting her makeup. "These strips are awesome for drawing out excess oil and controlling excess shine throughout the day -- perfect for red carpet events," says Quynh.

After removing the strip, Quynh moisturized Sarah's face with Kate Somerville Nourish Daily Moisturizer, primed her skin and applied foundation and blush.

Quynh used two coats of Lancome Grandiose Mascara in Black on Hyland's upper lashes and added Velour Lashes in Whispie Me Away for extra definition.

Still, the lip color remained the focus. Quynh used NARS Pure Matte Lipstick in Carthage for a bold, spring-y effect.

Meanwhile, celebrity hairstylist Ryan Richman gave Hyland's new bob tons of texture. He described his process for this style: "Sarah's Michael Kors look was all white and very clean so we decided to do her hair natural and tousled to show off her new short, layered haircut." He used Big Sexy Hair Full Bloom Long-Lasting Thickening and Refreshing Spray to give her hair volume and movement.

Diane Kruger wore side-swept waves and a classic red lip to the Vanity Fair Oscar Party -- proving that sometimes the best Oscars beauty moments happen after the ceremony. To get the look, Adir Abergel worked with Moroccanoil to put a fresh spin on Gatsby-era waves, which worked perfectly with Kruger's Donna Karan Atelier jumpsuit.

Starting on damp hair, Abergel created a deep side part before applying Moroccanoil Volumizing Mousse from roots to ends. After rough drying, he used a ½-inch barrel iron on small sections to curl all of Kruger's hair.

The stylist set the curls with Moroccanoil Luminous Hair Spray and used a boar bristle brush to lightly back comb the crown for volume. Rather than pin the hair into a traditional 1920's faux bob, Abergel left a large section at the front loose and pulled the rest into a low ponytail. After smoothing the hair with a drop of Moroccanoil Hydrating Styling Cream, Abergel finished the look by wrapping a small section of the ponytail over the elastic and spraying Moroccanoil Luminous Hair Spray for extra hold.