Amy Adams has perfected the whole classic-with-a-modern-twist thing. And her look at last night's LA premiere of her new movie, "American Hustle," was no exception.

Makeup artist Stephen Sollitto started by moisturizing Adams's skin with RéVive Sensitif Renewal Cream Daily Cellular Protection Broad Spectrum SPF 30 Sunscreen and enhancing her complexion with Laura Mercier Hydrating Foundation Primer and Tinted Moisturizer. For the "perfect, neutral cheek," Sollitto applied Laura Mercier Crème Cheek Colour in Praline, and he used Laura Mercier Rouge Nouveau Weightless Lip Colour in Café for a soft lip.

For the graphic eyes, Sollitto chose Laura Mercier Sequin Eye Colour in Twinkling Star for "a soft-sparkle effect," and applied Laura Mercier Caviar Stick Eye Colour in Twilight all over the eyelid and along the upper and lower lash lines for a smoky effect. To get the bold lined look, Sollitto used Laura Mercier Graphic Liquid Eyeliner on the upper and lower lash lines, softening it with Laura Mercier Tightline Cake Eyeliner in Gunmetal Smoke. He finished it off with Dior Diorshow Blackout Mascara and Laura Mercier Illuminating Eye Colour in Crystal Fantasy on the inner corners of both eyes for brightness.

While it's usually Johansson's curve-hugging gowns that have us talking, this time we're drooling over something else: her hair. Oribe styled Johansson's hair into the most perfectly undone knot for the Martin Scorsese-directed Dolce & Gabbana commercial, Street of Dreams.

Before blow drying, Oribe prepped Johansson's hair with Oribe Supershine Light Moisturizing Cream . Once her hair was dry, Oribe created loose curls using a 2-inch curling iron, and sprayed it with Oribe Impermeable Anti-Humidity Spray to keep her hair frizz-free during the 22 hour(!) shoot. After brushing out the curls and pulling Johansson's hair into a knot at the nape of the neck, he added moisture and shine by spraying Oribe Royal Blowout Heat Styling Spray onto fingers and smoothing it over the hair in the front.

Julianne Moore looked incredibly gorgeous in Tom Ford at the CFDA/Vogue Fashion Fund Dinner this past Monday. Hairstylist Oscar Blandi pulled Moore's signature red hair into a simple ponytail, allowing the red embellished dress to be the star. (Point taken: a classic updo is the perfect holiday hairstyle when wearing sparkles.)

To get the look, Blandi applied Oscar Blandi Hair Lift Mousse at the roots while Moore's hair was wet. To add shine and keep flyaways at bay, he worked a small amount of Oscar Blandi Pronto Instant Glossing Cream all over her hair. After blow drying it straight and parting it hair down the center, Blandi secured her hair into a ponytail about two inches above the nape of her neck and sprayed Oscar Blandi Lacca medium-hold hairspray all over.

Kate Bosworth's makeup -- and skin in particular -- looked impossibly perfect at the New York premiere of her upcoming film, Big Sur. Makeup artist Daniel Martin describes the look as, "very ethereal yet polished" -- and we couldn't agree more. While Bosworth credits her glow to her SK-II skincare routine (she's a brand spokesperson), Martin cheated a little with SK-II Facial Treatment Cream Foundation. He kept the rest of Bosworth's look minimal using Dolce & Gabbana makeup: Eyeshadow Quad in Femme Fatale, Intense Eyes Mascara in Black, and The Blush in Caramel to sculpt cheeks.

While we're always envious of RHW's signature dewy, bronzed glow, we were immediately drawn to the smoky eye look she wore to the LACMA 2013 Art + Film Gala this past weekend. Makeup artist Lauren Andersen perfected the Victoria's Secret Angel's (already perfect) skin with Cle de Peau foundation and Hour Glass Radiant Light Powder. Keeping the focus on the eyes, Anderson used Votre Vu Brow Wax to create a bold brow. Then, using Avon's True Color Eye Shadow Quad in Chocolate Sensation, Andersen dusted lighter shades on the inner eye, deepening the color as she worked her way out. NARS Larger Than Life Long-Wear Eyeliner (on the lash line) and Avon Mega Effects Mascara in Black finished the look.